movie clips & flicks

image credit: Darren Hesterwhat happens when filmmakers give movies away?
DVD sales  go up

After enormous hype, late last year MGM entered into a deal with Google, announcing they would be the first Hollywood studio to stream full-length films on YouTube. The buzz was effectively killed however, when only older titles from the movie archives were selected for the launch. This move prompted much criticism about why anyone would choose to watch such “clunkers” as Bulletproof Monk and The Magnificent Seven– on or offline.

Also in 2008, Paramount Pictures launched a Facebook app called VooZoo, allowing users to share clips from their favorite films and hopefully driving them toward DVD sales. The app received a scathing, hilarious (and in some respects innacurate) review by CrunchGear’s Nicholas Deleon, who warned users to stay away. It would seem we have, since the app has only 140 active users per month as of today–though in September Advertising Age reported that the app “has quickly exploded, adding 20,000 members a day, eventually becoming used by several hundred thousand Facebook users.”

In a similar approach to clip-sharing, Monty Python films clips are now being distributed on a branded YouTube channel–with impressive results:  immediately after launch, sales of the DVD box-set shot upward, say officials at Google (owner of the video sharing site) as reported in The Guardian. The video clips were placed alongside clickthru adverts by retailers iTunes and Amazon.com, and sales of the classic film DVD set went through the roof, peaking at #2 on Amazon.

Likewise, when independent filmmaker Hunter Weeks elected to distribute his entire (feature-length) film on YouTube, it resulted in strong DVD sales, reports Home Media Magazine. This was in part because of the promotional efforts by YouTube and Amazon.com to support the film.

This (controversial) trend of content creators and artists benefiting from free online distribution of their copywrite-protected content has been examined (especially with regard to music and books) over at Techdirt.

In related news, more short bits of film were posted online (but not sold) by the 2009 Sundance Film Festival. They experimented with distributing free downloads of ten film shorts (in their entirety, not just clips) for a limited time only on iTunes. Post-event, the Festival used a branded YouTube channel to run filmmaking contests and as an archive of interviews and behind-the-scenes media coverage of the 2009 event.

digital magazine publishing

industry hit hard by recession:
image credit: Thomas Hawk

While some publishers are swapping the print edition and going web-only, expanding their companion websites, others are cutting back on digital initiatives.

In 2008, across the magazine industry there was decline in single copy rack sales (down 1% overall), circulation figures (down 11%), and correspondingly, ad spend online and off (down 11%). And although we can usually count on the notion that s-x sells, even the adult entertainment industry publications are suffering as Hugh Hef’s famous glossy posted yearly revenues down 11% last year. The largest dips were at gossip and celebrity magazines and tabloids such as National Enquirer, US Weekly, OK! Weekly, In Touch, Life and Style, and Star Magazine, as consumers controlled our impulse buys at the checkout.

The exception: gossip mag Hello! Canada saw a 50% increase in single copy sales in the last half of 2008 over the same period in 2007. According to The Financial Post, this success story is linked to the title’s focus on British and European celebs, which according to Tracey McKinley, the magazine’s executive publisher, are more “relevant” to Canadian readers. Call it commonwealth nostalgia? This week the Canadian government announced the creation of a 75.5 MILLION dollar fund to keep the national periodical industry alive.

Overall in 2008, single-copy sales of Canadian consumer magazines fell 24%, according to the Audit Bureau of Circulations. Total paid circulation, which includes subscriptions, fell almost 5%. In the US, 525 magazines were shut down in 2008–just over one per day (according to a report by MediaFinder).

With figures like this, optimism seems forced, but Mark Jamieson, CEO of Magazines Canada remains upbeat. “Although we are in a period of big change,” Jamieson admits (in a recent news release) “readership, including online, is as solid as it ever was, and magazine companies are well positioned for the long term.”

For some titles or publishers, that might mean swapping the print edition and going web-only, or expanding their companion websites. Or on the other hand, cutting back on digital initiatives,  consolidating, canceling, and restructuring online offerings, such as they are doing at Conde Nast, where digital revenue in 2008 accounted for only 3% overall.

However eMagazines president Andrew Degenholtz suggests that “digital doesn’t replace a magazine that someone will grab at the checkout counter, but is a different customer motivation and has other promises.”

On that note David Pauly at Bloomberg.com confesses that although he is worried that Amazon’s Kindle will make hardcopy magazine, book, and newspaper publishing obsolete, personally he doesn’t like reading on a handheld device or any computer screen. Pauly continues nostalgically: “There’s something about holding a book on your lap or folding the newspaper in fourths like a commuter.”

Though not a panacea, at least digital magazine sales on the Kindle produce revenue for an industry struggling with consumers’ expectations that online content should be free.

ebooks expanding

curling up with a digital read

photo credit: bloohimwhomJust in time for national read an ebook week (March 8-14), Google launches its mobile ebook collection. One-and-a-half million titles, scanned and retrofitted for your iPhone or android screen, ready to help you escape the tedium of the commute (unless, of course, it’s you behind the wheel…).

Does this mean some serious competition for Amazon’s Kindle 2? The dedicated device was unveiled this month exclusively in the US market, amid controversy (over copyright concerns due to its text-to-speech feature). The first version of the Kindle sold half a million units, and was perpetually out of stock.

Over at Google, as reported in The Chronicle of Higher Ed, the digital bookshelf only contains classic tiles, those books in the public domain, such as Legends of King Arthur and Wuthering Heights. Of course, those oldies/goodies are also free, which is obviously an incentive for us to take a peek.

For a more racy read, there’s the iPhone-ready bodice-rippers over at eHarlequin‘s mobile ebooks site, and for those of us who are not eager to juggle multiple devices, there are ebook apps-aplenty at Apple’s download store.

Part of what many are calling the “revolution” in ebooks,  in the US 538,000 ebook readers were sold in 2008–a spectacular increase of 235% over 2007 sales figures (according to the Consumer Electronics Association, as reported at ChannelWeb,).

How will the explosive popularity of these digital gadgets and media affect book sales? For tech blogger Dana Blankenhorn at zdnet, the challenge for any ebook reader developer is to keep the channel stocked up with titles. She argues that ebook consumption will never be truly mainstream unless the devices and apps come bundled with robust book libraries available to users at reasonable costs. Likewise, Gizmodo gadget blog Matt Buchanan agrees it’s premature to declare a revolution or the mainstreaming of ebooks yet, primarily because of the limitations of electronic ink displays. He calls them boring.

virtual pageturners

electronic books go mainstream

bookSince Amazon’s Kindle electronic book reader is both expensive and perpetually out of stock (not to mention bulky and unavailable in Canada), Chapters Indigo is stepping up with an iPhone app called Shortcovers. Chapters joins many third-party developers busy enabling ebooks on the iPhone, including the TextOnPhone app, Readdle, Stanza, and Scrollbox.

Also this month, a special limited edition Sony ebook reader launches as part of a Valentine’s Day Harlequin Romance co-promotional campaign. This year the Sony-Harlequin eBook device is a racy red gadget pre-loaded with 14 hot romance titles.

Out in front, Harlequin is an early adopter of the ebook trend, actively producing bodice-ripping digital pageturners since 2005. The tech-savvy Canadian publisher uses many Web 2.0 tools, including podcasting, blogs, and online reader forum, while maintaining a presence on SecondLife, MySpace, and XM radio.

snapshot shop

mobile photomemory and e-commerce:

image credit: booleansplitJust in time for holiday shopping, Amazon.com introduces a free app for the iPhone, to help browsers capture images of stuff they’d like to buy someday, just not this minute.

The feature does double duty as a visual shopping list, and by enabling comparison shopping. The “Amazon Remembers” application uses not photo recognition technology, but allegedly real live humans to search the online retailer’s inventory for the items. The vision of shoppers taking up space in stores and then opting to spend their cash online instead has prompted one editorial to describe the app as “going too far” and even “a declaration of war” in the battle of bricks versus clicks retailing.

One checkout clerk at Target obviously agreed, opting to ban mobile price-checking via barcode scanning outright, as contrary to store policy. It was later confirmed that no such policy existed (yet?).

Will this be the killer app convincing users to switch to the iPhone? The Google Android phone also has a price-checking, barcode-scanning app. Tools enabling time-saving and cost-saving, increase a device’s “stickiness” according to Charles Golvin, an analyst at Forrester Research. Just one cool function separating gadgets could be a deal-breaker, as consumers navigate the smartphone market.

This is a twist on the emerging ON=OFF trend (identified and documented by the cool hunters at trendwatching.com) whereby online retailers are introducing products and services that intertwine features of e-commerce with those of bricks-and-mortar shops, to take advantage of the best of both worlds.