luxury brands, digital buzz

A recent survey by Edelman showed that the most affluent consumers do not rely on P2P or WOM advice to guide their purchase decisions. As a result, by and large the most wealthy consumers online tend not to friend or follow brands on socnets. For the wealthiest classes brand loyalty is seemingly not communicated via digital affiliation and identification—which, in this digital age, leaves luxury marketers in a bit of a bind. Without user trends to track, it is difficult for social media initiatives to gain measurable brand engagement (and thus demonstrate ROI), when some of the familiar SM metrics (friends/followers/sharing) are ineffective. This matters especially to upscale brands whose market is obviously composed of the most affluent among us.

However there is a wrinkle here that may turn out to be an exception to Edelmen’s findings: although they might not always belong to the most affluent class, Gen Y is a key emerging target market for luxury labels. If online advertising surveys track only the most wealthy consumer households, they may miss recording a significant portion of GenY, a demo noted to be exceptionally scrupulous and value-conscious with purchasing decisions.

As reported in The New York Times and analyzed on the Millennial Marketing blog, twentysomethings are highly engaged with luxury brands, and this cohort is adept at social computing—something that Armani and LVMH are well aware of—two examples of luxury labels with iPhone apps, Facebook pages, branded YouTube channels, and the like.

And in fact many a luxury fashion brand, and the fashion industry as a whole has begun to embrace digital technology, as is evidenced by LG Fashion Week events, and by The New York Times‘ observation: “As the fourth and final round of the international collections opens in Paris on Wednesday, the buzz is more around live-streaming shows and 3-D technology than about seasonal trends.” Live streaming this event programming is part of a Web 1.0 broadcasting mentality that, while it serves many purposes in making the shows accessible to multiple audiences, is not well suited to digital native consumers (who want their media on-demand).

However as news about the collections is increasingly communicated in shareable bits via web 2.0 channels, we can expect to see a cultural shift toward social shopping and luxury brands courtesy of millennials—as the GenY and GenZ cohorts increase their spending power and exercise their love of labels and luxe.

Thank you to Marino Brilli for sharing the link to the eMarketer article

computational couture

Design, technology and pop culture met last week as Steve Jobs announced the iPad as a gadget for cultural creatives to blend art and technology. In the same vein, Polaroid announced they have signed on Lady Gaga as a creative designer. The fashion-forward and digitally-savvy Gaga was a natural choice for Polaroid, due to her demonstrated talent in “developing prototypes in the vein of fashion/technology/photography innovation” for digital lifestyle products. Lastly in this trend, British singer songwriter Imogen Heap grabbed headlines when she wore a Twitter dress* to the Grammy awards. At a moment when the synergies of art & technology are on our collective mind, this publicity stunt worked wonders, and the public response indicates a growing cultural curiosity about the possibilities of connected clothing and digital fashion design.

So what other high-tech threads are on the horizon for the always-on hipsters and cyberdivas among us? For casual fridays, web 2.0 hoodies are just the thing. The wi-fi sweats can recognize other hoodies worn by friends in your network. Their vibrating fabric indicates proximity of your peeps.

Many designers are showing high-tech clothing for the next generation of always-on social networkers. Using fabrics made from fiber optics, designing clothes that change color—for now these prototypes show up more often on runways and in art galleries than on the street or our backs. But that may be changing.

More consumers are interested in buying laptop bags that charge our electronic gadgets, especially if the totes are solar powered. Also on the market, express your inner luminosity with wearable electronics like LED illuminated jackets, and digital animated t-shirts.

Back in the design studio, one upcoming high-tech fashion dress design sure to be a hit with the men: a frock with voice activated hemline (otherwise known as “sound reactive nightgown”) that rises and falls on command.

* a much earlier example of a Twitter dress was the Kickbee project, a dress that tweeted kicks from an expectant mother!

text support

image credit: ydhsuTexting and instant messages are being used as tools to encourage and connect people trying to change their lives for the better

Trying to lose weight? Always easier when you have a support network. Is it time to kick the smoking habit? There’s strength in numbers there too. Supportive P2P social networks are incorporating texting and instant messaging into their strategies to support members reach their self-improvement goals. And research proves it’s working.

A new study involving more than 2,500 smokers in New Zealand, Britain and Norway found that sending supportive text messages helped subjects avoid smoking for a year. When a craving hits, a text message offering encouragement and advice could make the difference between another day free of unwanted habits, and a relapse. “It is important to be able to offer lots of different options for extra support,” said one of the researchers, quoted in The Globe and Mail.

For dieters, research published in the Journal of Nutrition Education and Behavior and in Health Informatics Journal shows that adults and kids who used text messaging to send in their food diaries and receive positive IM replies, experienced greater success in sticking with their diet and exercise plans, and weight maintenance.

A free service at the Medical University of South Carolina called the Cell-U-Lite® weight loss messaging program offers to send subscribers tips and reminders about healthy eating and exercise. At The University of Dunee in Scotland, researchers implemented a support network (called “Sweet Talk“), that uses text messaging to help young people with diabetes remember their insulin regimens.

Positive feedback loops make people feel less isolated when attempting to change habits, and a simple digital communication tool like texting can have a profound impact.

Texting or tweeting…although the HuffPost calls it public shaming, developers at “Tweet What You Eat” would describe their online dieting support service as a combination of crowdsourcing and social networking. The app allows members to post their caloric intake on their public tweetstream and connect with other shrinking tweeters.

ring bling

image credit: happyluvsmedesigner smartphones and upscale emulation: increasing selection of mobile phones from luxe brands

This week, Giorgio Armani, Samsung and Microsoft teamed up to launch their new Giorgio Armani designer smartphone.

In the press release, the designer and CEO of Giorgio Armani S.p.A suggests that his device reflects the Armani aesthetic, which is at base, about elegance.  “Today more than ever, ” he commented, “elegant dressing is part of daily business life.”

This Samsung phone with its haute couturesque branding, is about luxury for the upscale, connected class. The Armani phone is not, primarily, about functionality, as they claim, nor it is an example of masstige, or affordable luxury for the mass market, not with its $1000USD price-tag. This Armani mobile bling it is a commodity purpose-built for those who engage in conspicuous consumption of designer (which is not to say, high-end) tech gear. Perfect for swag.

The Armani smartphone is of course not the first or only example of fashion designers jumping on the digital consumer electronics bandwagon. Way back in 2004, Samsung and Vogue signed on with Diane von Furstenberg to sell the DVF mobile, while Motoroloa teamed up with Baby Phat to push the SixShot cellphone.

Today, from Porche to Dolce & Gabbana, Giambattista Valli to Prada, high-end luxury brand phones do double duty as communications devices that also transmit a message to others about the owner’s class membership, or their upscale emulation, aspiration, (micro)celebrity (remember the Beyonce cellphone?)—not to mention the power of flashing these powerful lovemark brands.

Also in the mobile computing meets fashion runway design category, last year Vivian Tam paired with HP to launch the Digital Clutch—a netbook with a reasonable pricetag vis-a-vis other mini notebooks.

At the forefront and driving this convergence of fashion and mobile electronics design is LG, longtime sponsor of FashionWeek events, whose range of products are designed to “stand out” as uniquely fashion-conscious—in other words, the efforts are intended to increase brand differentiation. During the 2004 “Fashion Talks LG” contest, a spokesperson (Jonathan Maron) commented on LG’s approach: “The worlds of fashion and technology are growing closer everyday” and whats more, “We express our personalities through the clothes we wear, the phones we carry and the technologies we choose.” Agreed.

haute tech

image credit; theartofaccessoriescomputational couture: wearable digital technology fashion design

Mobile computing, handheld gaming, geolocation technologies and multimedia music players are intricately woven into the fabric of our culture, and now they are making their way into our clothes.

From miniaturized processors and embedded electronics, to luminous fabrics made from fiber optics and clothes that change color or have hemlines that rise and fall at the touch of a button. As we become increasingly inseparable from our cellphones, laptops, and mp3 players—interest in wearable computing is growing—and those at the forefront are getting mainstream media coverage. Fashion designers experimenting with and embracing connective threads are definitely being taken more seriously by the mainstream fashion industry and by digital culture creatives and marketers.

High tech designer Hussein Chalayan was awarded the title British Designer of the Year in 2009—the second time he has been thus recognized. Closer to home, this summer, Canadian designer Ying Gao was awarded a $10,000 grant from the City of Montreal to continue her work creating “modulatable” garments at the University of Quebec at Montreal. As reported by The Toronto Star, there are numerous examples of the fusion of technology and fashion at the cutting edge of clothing and dress design here in Canada.

In the US, this year some graduate students at the MIT Media Lab took the TED talks by storm when they unveiled their wearable computing system which will turn any surface into an interactive display screen. As described in Wired, the project in ubiquitous computing aimed to make digital information retrieval and communication into an unconscious act, a sixth sense for humans. “We wanted to make information more useful to people in real time with minimal effort in a way that doesn’t require any behavior changes,” an MIT spokesperson said.

At the bleeding edge of textile research are forays into the development of responsive fabrics. “Imagine if your clothing could alter the feeling of a room when you walk in, to suit your preferences,” writes journalist Raymond Oliver for the UK Telegraph. Oliver reports on research currently being conducted at the University of Bath and London College of Fashion into clothing that heats or cools in response to temperature changes in the environment.

This experimental research into smart fashion, connected couture, and digital wearables can only increase the naturalness of being always-on.

Related:

The most comprehensive coverage of trends in wearable electronics I’ve found is: Talk2MyShirt

Wearable Technology: Powered Art and Fashion Design 2009: a slideshow of gallery exhibition on Flickr from Netherlands Media Art Institute

and Fashionable Technology video (below)